[Sodium_noir] [Sodium Noir] At the Carousel

[PIPER MEADE]

OOC: so the list sent me a message saying that I could not post to the list because I do not have permision. However, it sent me what I posted so I'm not really sure what the list "thinks" it's doing. here's what it sent me.


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  ----- Original Message ----- 
  From: PIPER MEADE<mailto:piper_meade at msn.com> 
  To: sodium_noir at elsinore.net<mailto:sodium_noir at elsinore.net> ; sodium-noir at googlegroups.com<mailto:sodium-noir at googlegroups.com> 
  Sent: Thursday, November 15, 2007 11:41 AM
  Subject: Re: [Sodium_noir] [Sodium Noir] At the Carousel


            Sodium Noir World of Darkness PbEM



  The Groovy Ghoulies, Quaid's Corbie, Kast, Nyx, Arine & Sachiko. 


  > Nyx is now staring at Quaid and staring at him very hard. It is not a
  > staredown look or a challenging or even an hostile stare. The Satyrs
  > eyes are scanning the Redcap with great
  > and thorough deliberation.
  >
  > Quaid raises his hands and shows his open palms. Nyx can see his leg
  > muscles
  > tense in readiness to dodge but his body language is clearly .. non
  > threatening. This Redcap actually seems to be backing down?
  >
  > Nyx takes a further step backwards and somewhat drops out of position,
  > but her legs are still positioned for balance and while she drops her
  > arms she is still staring hard at Quaid. Her stare is not one of anger
  > or challenge, but she is staring coldly in a studying manner. The
  > Satyrs body language is also non-threatening, but it is also clear
  > that she is not relaxed either. It is obvious though that while still
  > prepared to defend herself she isn't making any hostile moves either.

  Quaid looks at Nyx for a long time, the tension hangs in the air, then he 
  sneers a smile and his raised fist clenches. The Redcap's at his side relax 
  and all three of them begin to back away, shoulders relaxing.

  "I look forward to next time boy!" he says to Kasterborous. "And dancing 
  with your Satyr again!"

  With that they turn and begin to jog away towards the bridge. Those 
  following them get to see Quaid pull out a mobile phone just before they 
  disappear from sight behind a trailer home.

  Ariñe watched Quaid and his gang leave closely. She watched their movements, the tension in their bodies, where, when, how, to the stiches in the hem of their pants, any information glend added to their defence. 



  ...tag...


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